Molly Murphy-Adams – Artist Bio

Murphy Adams was born in 1977 in Great Falls, MT. A mixed blood descendent of the Oglala, Lakota tribe, Murphy-Adams was raised in western Montana and earned a Bachelor’s in Fine Arts from The University of Montana in 2004. Murphy Adams learned beadwork at a very early age as well as hide tanning, sewing and traditional clothing design. Much of Murphy-Adams’ work stems from a combination of traditional Native arts and modern art and serves as a cultural narrative, an expression of personal experience, and an exploration of form and function.

My work is primarily narrative. There are times when I am telling a specific story and pattern and design becomes the means of illustrating a compelling history. In other cases I am simply evoking emotional responses to basic elements such as shape and color. My fiber work designs originate from older, more traditional sources of needlework from both Native and Anglo history. The liberties I take with materials, line quality, and design elements reflect my interest in contemporary art and the development of abstraction in the Western art tradition. My work reflects the issues of politics, cultural identity, and learning to live with the weight of the past.

Molly Murphy Adams lives in Tulsa, Oklahoma with her husband and children.

Find Molly on social media

Instagram https://www.instagram.com/mollymurphyadams/

Etsy   https://www.etsy.com/shop/NativeCouture


  1. Jeri Doney
    May 6, 2016

    I have sent an email to the mollmurphy@msn.com address with a request about a college project I have.

  2. Barbara K. Robins
    February 2, 2017

    Hi Molly,
    We met at the CGPS Contemp Indigeneity Juror’s Panel in Lincoln. I think we talked as much about our home state as we did about art! I just shared your name with a colleague who has moved back to her home in OK. She is interested in native artists and designers.
    I hope we see each other in the near future. Have a great year!

  3. Gerry Hubbell
    November 28, 2017

    Permit me to introduce myself–I’m an MA candidate at UMKC beginning a thesis defense in January on the origins of peyote beadwork. I plan to continue to a Ph. D program with the dissertation on the development of peyote beadwork. A curator at the Gilcrease mentioned your name as a contact person with extensive contacts in the beadworking community. I would be very happy to discuss trends in the beadwork, when they changed, and whether there may be any influences that affected those changes.

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